Client s NameDateProfessor s NameCourseWarhol and IconsWarhol was born in the late 1920 s in  forest City , Pennsylvania .  He went to school there until he decided to attend Carnegie Institute of Technology in Pittsburgh receiving his BA in 1949 .  Shortly thereafter Warhol left for New York .  It was in New York that Warhol  embed jobs in advertising were he became the  primary(prenominal) illustrator for milling machine s ShoesWarhol s roots in advertising (i .e . Vogue ,  harpist s  bazaar , and Glamour influenced his   trickisanic endeavors                                                                                                                                                         .  It is one of the most  celebrated of Warhol s  effectuates , the 32 cans of Campbell s  dope .  Through the repetition of such(prenominal)  commercial message materials , Warhol was forcing the  witness to   penetrate up beyond what had be seed invisible  due to the  marketing world he was    making the viewer  overtake what their  arrested development s faces were like Campbell s soup was mmm-mmm good , but by organism brutalized by the  render , consumers were  merely automatically  cerebration that Campbell s soup was what satisfied them .  It was Pop Art , familiar for its  side of reproducing in a different manner , commercial desires , and it was with artists such as Warhol , Lichtenstein , and Jasper Johns that the movement had an impact .It was in America s  let  fixation with the image , and pop culture that Andy Warhol became the most  incomprehensible  fictitious character in the  unexampled art world  prior(prenominal) to his career as an artist Warhol was a commercial artist it was in this  course of action of training that Warhol became possessed with the ideas of the aesthetic found in  parking lot objects (i .e . soup cans , posters , images etc .

  Although most of his found items were  considerably overlooked because of their banal and pedestrian nature , Warhol made the viewer see something  more , or at least , his  record on modern art made the viewer see how mundane  life sentence was , and how void of potential those objects were trulyWarhol was also  preoccupy with  oddment as is prevalent in his electric chairs and his  critical and horrific  traffic accidents .  In the capturing of these images , however , Warhol further extrapolated from the image , from the emotion , that death itself was also banal because it had been reduced to ridiculousness by the  pile media .  It is in the media that Warhol found his niche , his  occupation as an artist in the media s over popularization of objects and  slew , those obj   ects and people ceased to be real in a  whizz and there were  notwithstanding icons or inanimate objects just for  cheer .  What Warhol did was to show the art world , through his famous  repetitious art pieces , just how desensitized the media had made societyIt is in his Gold Marilyn Monroe that the  apex of these media mogul ideas come together .  The gold background of the piece is reminiscent of a Byzantine icon , and in the  emblazon scheme Warhol extols the  tragical personality of Monroe .  The off-register color gives the viewer a sense of  spiritualism , or off kilter  sense impression  exchangeable to that of...If you want to get a full essay,  couch it on our website: 
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