Rappaccini’s Daughter - An Exploration of Human Nature Essay -- Rappac

Rappaccinis daughter - An Exploration of Human NatureThe key to my understanding Hawthornes perspective on Science and Nature in Rappaccinis Daughter was his cheeky introduction, when he placed himself somewhere between transcendentalists and "pen-and-ink men who engineer the intellect and sympathies of the multitude" - too unpopular for the multitude, and too popular for the transcendentalists. Choosing non to fit in either camp, he seems to tease us with the merits and deficits of distributively - science and nature, too. Its not a matter of balance, or a weighing of arguments. His device here is to play upon the tensions attendant to these apparent polarities. On the first reading "Rappaccinis Daughter" appeared to be a monitory tale, a warning about the dangers of too much science, excessive economic consumption of nature - leading to "thwarted nature," the "fatality that attends all such acts of corrupt wisdom." Rappaccini is described as a "vile empiric" and "not reticent by natural affection for his daughter." Beatrice, his daughter, describes herself as merely his earthly child, tour the plants are the "offspring of his intellect." Beatrice is described by her physical beauty and detrimental physical nature. She is described also by the "pure light of her character." Giovanni, the manque lover, alternates between obsession with Beatrice - which might be love - and abhorrence of her. The obsession is with her beauty and simplicity - her goodness. The abhorrence is with her poisonous physical nature. Giovannis character, however, is set up wanting when he urges Beatrice to take the fatal antidote to her poisonousness. Beatrice protected Giovan... ...cience was delineated by his demeanor with his daughter and his garden - touching nothing directly, plainly looking and tending from a distance. Baglioni sought power manipulatively and politically - equal by his academic rival ry with Rappaccini, his plan to kill Beatrice, and his manipulation of Giovanni as the instrument to kill Beatrice. Giovanni precious power over Beatrice - he treasured to recast her into a form he could "love" - he couldnt love her as she was. Beatrice and the plants in the garden were the innocents in this story - they entirely came into being. The poison in their physical nature simply was - there was no malice in them. Beatrice was the only human who exhibited real love, and who only wanted love/to love. She expressed her love for Giovanni by dying(p) - and in dying released herself from (transcended) the power of each of these men.