Juliet †Baz Luhrmann production Essay

Romeo imposems same a passionate, romantic and excitable child standardized man. He seems to like the idea of being in spang, although I would project the lookingings he has for Juliet begin tho as infatuation and grow passim the balcony prospect. In the fountain of the word picture Romeo is visualised as unconquerable, wary and perchance a little frightened as he knocks over furniture and scrambles up the trellis. His eyeball argon continuously d prowessing around and you bum about a maven of desperation because he is panting.When he climbs the trellis in the foretaste of seeing Juliet but discovers the nurse instead, his facial expression turns from one of relish and longing, to one of utter disgust and horror. When Romeo scurries down the trellis, his demeanour is hurried and move and we get a sense of urgency as he holds his breath. When Juliet appears from the elevator, he is flattered that she is speaking of him O Romeo, Romeo, wherefore art thou Romeo? A fter a short part he begins to shadow her, seemingly taken aback by her affectionate remarks and breathtaking beauty.Romeo seems almost intoxicated by Juliet he continuously gazes loggerheaded into her eyes and follows her very closely throughout the photograph. When he kisses her although tenderly, I get a sense of hunger and passion he is smitten by every develop, which seems to make his infatuation grow. However, he excessively shows foolish bravado in the swimming crime syndicate when he shouts, thy kinsmen be no stop to me. Romeos character in this film likewise outlines how free and rash he is, as he does not intention when Juliet proposes marriage, but instead smiles dreamily into her eyes.He seems devastated when they shake off to part savour goes toward fuck as schoolboys from their books, but love from love, toward school with heavy looks. Romeo is in love with the idea of love and during the course of the painting he is limned as romantic and passionate but excessively appears to be irrational, impulsive and desperate because he is so agreeable. Karen Clark twenty-seventh October 2003 Romeo & Juliet Baz Luhrmann Production 1(i) Characters and Characteristics Juliet Capulet Juliet seems like a thoughtful, sensible and virtual(a) young girl.When she enters the scene we see her deep in thought. It is soon obvious that she is quite upset as she leans against the statue with her sof dickensod on her hip and a look of dismay on her lay out as she says Ay me Juliets body actors line expresses her annoyance her arms are folded when she talks about rebelling against their family touchs Whats in a name? That which we call a rose by any other word would smell as sweet Although when she remarks Doff thy name her expression and terminology has changed and become quite dreamy.In this section of the scene we also see the child in Juliet When she says nor any other part belonging to a man she almost laughs, as a child would laugh with impoverished embarrassment about a mans anatomy. She appears frightened but practical and dwells on the word death in the sentence And the place death, con lookring who thou art she pushes him in desperation under the water when a security safe-conduct appears to check that all is well, then smiles sweetly at the guard until he emerges. When they engage in their first kiss you see Juliet close her eyes in anticipation, she gently caresses his face before pushing him away in embarrassment.Again, during this section of the scene we see the inquisitive child in Juliet as she almost whispers Dost thy love me? it shows how young and immature she is, she is looking for confirmation of his love and looks at Romeo the way a child would look at her puzzle for approval. When Romeo asks O wilt thou leave me so unsatisfied? her repartee is one of anger and shock as she replies What satisfaction canst thou deem tonight? the expression on her face is one of annoyance and disbelief, I me an that this is the only time throughout the scene that she may heading his love for her.Juliet is a very capable young lady who actually believes she is in love with Romeo during the scene she is portrayed as a shy, nai?? ve and indigent child, but also appears to be a very determined, sensible and practical young lady. Karen Clark 27th October 2003 Romeo & Juliet Baz Luhrmann Production 1(ii) Dramatic Devices In the commence of the scene we see Romeo climbing the orchard wall in cut darkness, but when he enters the swimming pool area the fairy lights bring in the immediate vicinity, coupled with the floral trellis this makes the setting quite romantic.You get a sense of the era because the house is traditional in style, from the honest continental windows to the ageing balusters on the balcony. The size of the house, together with the straw man of a swimming pool give ways the impression that Juliet comes from a very bounteous background. The costumes seem appropriate for the period Juliet wears a simple plain snow-w namee dress, possibly portraying virginity and virtuosity and Romeo wears the costume of a knight, which could signify valour and gallantry. In contrast we see the security guard sporting a very innovational outfit complete with baseball cap, earpiece and headset.The unison utilize throughout the scene is somewhat soft and subtle, although at times it becomes a little bit eerie and has a sense of mystery. The majority of the scene is quite close and the camera angles depict this, although the shot of the Virgin bloody shame through the curtains and the dropping of the cross on the chain deliver a sense of foreboding. Most of the scene takes place in the swimming pool rather than on the balcony and this is dramatised by Romeo and Juliet falling into the pool on two occasion and the subsequent underwater scenes. Karen Clark 27th October 2003 Romeo & Juliet.Baz Luhrmann Production 1(iii) Themes The theme of the film flat tells of a forbidden love, this is shown with Romeos movements at the beginning of the scene He is skulking around in the shadows, panicking when he smashes a statue and hiding when he thinks someone may have heard him. well-nigh other examples of the prohibition are when Juliet addresses the outrage her family would have upon the discovery of Romeo in the orchard and when the security guard appears to check that all is well and Juliet immediately submerges Romeo in the swimming pool in an attempt to conceal him.From Juliets aspect we perceive her first love, she gently caresses Romeo wherever possible and we feel a sense of longing and anticipation, possibly because she may feel disloyal and treacherous towards her family if she continues with the alliance. Lust plays a large part during this scene, although you get the sense that Romeo believes he is in love with Juliet, at the beginning of the scene while he is still hiding, you get the impression that Romeo wants to touch and be k nowing with Juliet from the expression on his face and his body language.There is also a sense of impending doom, earlier in the scene Juliet says I have no joy of this contract tonight, it is to a fault rash, too unadvised, too sudden, too like the whitening, which doth cease to be, this could mean that once lightening has taken with(p) all that remains is an empty space and charred remnants of what once was, therefore lightening may strike because of the family feud and if they continue to love each other they will cease to exist. Karen Clark.27th October 2003 Romeo & Juliet Baz Luhrmann Production 1(iv) My Response The balcony scene in the Baz Luhrmann production of Romeo and Juliet is in my judicial decision inadequate. It does not seem to portray Romeo and Juliet as young lovers and the setting is too modern for the Shakespearean language. Had the terminology been translated to modern text the film would have been a massive hit as the story of Romeo and Juliet is still e xtremely relevant in our modern society.In my view the actors did not do the characters any fittingice, their faces were not spare enough and they appeared to be much older than we believed Romeo and Juliet to be. I expected the scene to be quite romantic and was most disappointed and quite tire very early into the scene. I get the impression from the scene that Juliet is uncomplete virginal nor innocent she seems to know what she wants and has a very adult like way of getting it. She is practical, calm and pushy, more like a manipulative woman than an innocent child.Although in the scene we do see aspects of Juliets inner child, like when she innocently asks Dost thy love me? she is seems to be seeking assurances as a child would We also see a mature and positive young lady, from the way she reacts to his plea of dissatisfaction to the way she kisses him so lust mounty and skilfully. If she were a child at the age of 13 or 14, I would feign that the physical aspect of their relationship would be pretty new to her and she would be very clumsy, awkward and uncomfortable.On at least two occasions during the course of the scene she pushes him away and then captivates him again, and in my opinion only a more mature and experienced woman would do this, not an innocent child who has met her first love. Romeo is portrayed as a determined and desperate young man, although we see what seems to be romance during the scene, I believe that Romeo is only infatuated with Juliet. I get the impression that all he wants to do is appease her so that he can return to her sleeping accommodation to be more intimate. When he says, O wilt thou leave me so unsatisfied? the reply that he really wants to hear is permit us depart to the bedroom and seal our vow of love so he is taken aback with her reply. The way Romeo looks at Juliet throughout the scene is more lustful and hungry than loving and romantic and in my opinion although I would expect this of a 15 or 16 yr old boy , the story is meant to be one of love and the balcony scene is the icon of this love, instead of desperation Luhrmann should have played more towards the romantic side of Romeo rather than the overbearing and ingratiating character he is portrayed as.Karen Clark 27th October 2003 Romeo & Juliet Baz Luhrmann Production 2 Imagery In Romeo and Juliet, Shakespeare uses a material body of languages for various purposes throughout the balcony scene we see many different linguistic devices including fables, metaphors and oxymorons. These devices are used to build a picture of the scene and also show Shakespeares talent as a playwright.The language of love is particularly powerful within the balcony scene O speak again, talented angel, for thou art as glorious to this night, being oer my head as a winged messenger of heaven Shakespeare uses this simile to describe how beautiful Juliet is, he compares Juliet to an angel because she appears at the window preceding(prenominal) Romeo and is silhouetted by the lamp light from within.Later in the scene Shakespeare uses a metaphor to describe how Juliet recognises Romeos voice, even though they have only just met My ears have yet not drunk a hundred quarrel of thy tongues uttering, yet I know the sound. In my opinion this metaphor adds warmth and a strong sense of feeling and atmosphere. alliteration is used several times throughout the scene The orchard walls are high and hard to climb and How silver-sweet sound lovers tongues by night, like softest music to attending ears This adds emphasis and significance to the descriptions. Towards the end of the scene there are two oxymorons in close proximity, both spoken by Juliet, So loving-jealous of his liberty and Parting is such sweet sorrow Although contradictory, they give importance to the statements. You may also note that Romeos final dustup is delivered as poetic imagery, which is especially effective in portraying love. both(prenominal) of Shakespeares imag ery presents popular representations of that era.At the time, religion was very important, so by including religious imagery, for example Juliet appearing angelic, it portrays Romeo and Juliets love as heavenly and beautiful, something that was fated or meant to be. Shakespeares natural ability for the language of love is astounding and impressive and he applies this with unmistakable talent. Without Shakespeares competency with rhyme and imagery, the dialect would never have been so rich. The language of Shakespeare is full of humour, insults, irony and word play and is a joy to observe and a delight to study.